108 Rock Star Guitars

The Girl Who Makes Guitar Art

In a world where everything is becoming more digital and available on iPads, tablets and portable readers, it's still nice to pick up a book, hold it in your hands and flip through the pages. You get a greater appreciation for the author and the subject when you can turn the pages and be taken in by the work that appears on the pages.

I was first introduced to Lisa S. Johnson on Facebook when we decided to collaborate on a contest between her page 108 Rock Star Guitars and mine LedZepUFP. I had checked out their website and was instantly captivated by the images that she had taken of some of the world's most recognizable guitars.

I would soon find out that it's one thing to see these photographs on a computer screen, but when you have the book in your hands and you're turning the pages you realize how amazing Lisa's eye for detail really is.
I was sent a copy of the book, courtesy of Lisa and her team and it quickly became a treasured item on my bookshelf. But before we get to a review of the book itself, we have to answer that question "Who is Lisa S. Johnson and why did she spend 17 years photographing some of the most iconic guitars known to music fans worldwide?"

Photo by: Ewasko

Leaving behind the glamour of Hollywood when she was only seven years old, Lisa found herself living on Indian lands in Slave Lake, Alberta, Canada. Lisa recalls memories of her father and time there on her website "...a hootenanny every summer where serious musicians would come together and play.  He let me sing on stage there; I had a couple of favorite songs I had learned from both of my grandmothers."

          "I'm so in love with what I'm doing."

Photo by: Ewasko

The love of photography grew when she found herself working for Kodak, where she met some of her mentors. There, she met fine art photographer legend, Joyce Tenneson, who she says she owes a lot of gratitude to for her encouragement.

Since then she has not only met, but photographed some of the most influential people in the music world. After meeting the legendary Les Paul, (who would be the first guitar she photographed) Lisa made it her mission to travel the world, seeking out some of the most famous guitars to photograph.

From the first photograph to the last, which was Bruce Springsteen's Fender, it has taken 17 years to complete the book. Actually, it's not just a book, it's an encyclopedia for guitar fans and music lovers of all ages. Lisa has done a fantastic job capturing every scratch, dent and chipped paint on these guitars. Only she can bring the fan that close to their idol's instrument.  You can read more of Lisa's biography, including memorable photo shoots, the most unusual spots to photograph and many more details on this wonderful project on the official website: 108 Rock Star Guitars.

At this year's annual Graphis Competitions, '108 Rock Star Guitars' was awarded the very impressive Silver Award.Congratulations to Lisa, SMOG Design, Inc., and Nick Steinhardt. Well deserved. Check out the entry here: Graphis Competitions/108 Rock Star Guitars.

Now onto the review of the book itself.

                                                                     

BOOK SPECIFICATIONS:

Hardcover: 396 Pages/486 Colour Photos

Dimensions: 33.8 x 29 x 4.6cm (13.3 x 11.4 x 1.8 inches)

Weight: 3.9 kg (8.60 lbs)

Publisher: Glitterati Incorporated (October 20, 2013)

Author: Lisa S. Johnson

Foreword: Les Paul

The first thing you notice when you have this book in your hands, is the weight and feel of it. This is no flimsy hardcover book folks. The amazing details and quality of materials used, make this one of the most beautiful coffee table books I have seen and own.

The edges of the 396 pages are cloaked in gold, which compliments the intense, yet beautiful red front and back covers. Incorporated into the exotic designs on the front cover, is the number 108. Not only is it the number of guitars photographed for this book, it is also a very cosmic number to Lisa, who finds spiritual significance in the study of numerology.

Taken from the official 108 Rock Star Guitars website, an explanation of the number by Lisa herself :

"...it chose me. Following me through my days as a reminder to say my mantras, and as comfort and guide throughout the duration of this project. It is, I believe, a divine number. Similarly, the music made with the instruments seen in these pages is, to my ear, divine."

The forward of the book is written by the late, but great, Les Paul himself. Every book sold, a portion of the proceeds benefit the Les Paul Foundation. The Foundation honors the life, spirit and legacy of Les Paul. It's a wonderful foundation that supports music education, engineering and innovation as well as medical research.

To learn more about the foundation or to donate: Les Paul Foundation.


Once you flip that cover and start turning the pages, the reader is instantly captivated by the photographs. If you're thinking you're just going to see photos of the guitarists wielding their instruments, you are greatly mistaken.

The images of the guitars fill the pages and every tiny detail is visible to the reader. Lisa has allowed angles and lighting to be her assistants while shooting the guitars. No one else can get you this close to such iconic guitars.

"I just fell in love with what I was seeing in my viewfinder." 

Each photo shows you the wear and tear of these beloved instruments. You can see scratches on the pick guards, patches of worn paint and little dents, all from years of touring and being played. From afar, the guitars may look to be in prestige condition, but Lisa shows you otherwise. Every little scratch, dent, worn spot tells a story of its history with its owner. The photos are vibrant, visual storytellers.

Not only do the pictures themselves tell stories, but so does the author. Some of the memorable moments in Lisa's travels to photograph these guitars, is told alongside their striking pictures.  From being presented with Roger Waters' "still warm from playing bass" or arriving at Don Wilson's home to photograph his Fenders, Lisa has included personal memories of each photo shoot alongside the photos that she captured on those occasions. It's also interesting to read details about each guitar. Little pieces of history, such as when the guitar was produced, how the artist acquired it and other little trivia friendly information.

For those artists who affectionately name their guitar, she has included that as well, and any details about modifications that the artist may have had done since owning the guitar. Some guitar techs who had a hand in making these shoots possible, have also been named.

"I'm not trying to show you a mugshot of a guitar; I'm trying to show you the soul."

The writing doesn't take away from the photos being in the spotlight. They compliment them. I particularly enjoyed how you not only see the front of the guitar, but you get to see extreme close ups of the frets, wiring, strings, pickups etc. Lisa gets you the nooks and crannies that other guitar publications overlook. The layout of the photographs are warm and inviting, not just mugshots of guitars.

The selection of guitars chosen for this book, highlights all time eras and all genres of music. From the quiet and reserved Robby Krieger of The Doors, to Megadeth's wild frontman, Dave Mustaine, Lisa has done an incredible job of including some of the greats. No era is left out, just like no genre is forgotten. You couldn't have a guitar book without some of the biggest names in the business: Jimmy Page, Jeff Beck, Keith Richards, Brian May, Eric Johnson, Ann and Nancy Wilson, Chrissie Hynde, Johnny Winter, Robbie Robertson, Steve Miller, Willie Nelson, Rick Derringer, just to name a few. If there's a guitarist that has been influential to anyone picking up a guitar and learning to play, you can find them in this book.

The book's very first photo, belongs to the legendary Jeff Beck, while the book's last photo, belongs to the inspiration himself Les Paul. 108 Rock Star Guitars is a must-have for any music lover. Even if guitar is not your first instrument of choice, you can't help but look through the pages with great appreciation for this important instrument.

Spaced strategically throughout the book, are some special 'vellum' pages. These include quotes from the guitar's owner.A very nice touch for an already amazing book.

You can read quotes on these specialty pages from Michael Wilton, Alex Lifeson, Keith Richards, Billy Gibbons, Wayne Kramer, Richard Thompson, Mick Jones,Tom Morello, Bonnie Raitt and Tom Scholz.

So, you've turned every page, admired the photographs, read the stories behind each one and you think you've come to the end of the book. Think again. In the back pocket you find a little bonus. In the pocket is a randomly selected '108 Rock Star Guitars' guitar plectrum and a booklet 'The Inspiration Behind 108 Rock Star Guitars'. The booklet is like a passport of Lisa's travels around the world. A wonderful display of guitar picks from some of the most talented guitarists in the music world. Concert tickets, seating plans, tour passes, backstage passes, and some special photos of Lisa with some of the guitarists. It's a nice little accompanying booklet to see how she spent all these years working on this project and how it all came to be.

This book is fascinating to everyone of all ages. My teenage son has spent a great deal of time looking through this book admiring all the photos. I, myself have spent countless hours reading and looking through the pages. It has become a welcomed addition to our coffee table and it will be to yours as well.

Lisa S. Johnson  has put her heart and soul into this project. Years of travelling around the world to seize the opportunities to photograph some of the music world's most recognizable guitars. She does so with impeccable attention to detail, all while making it fun and exciting for the reader. With new guitarists taking the stage every day, it's almost definite that we will see 108 Rock Star Guitars-Volume 2 in the near future.

"It's Been a long, fun ride." ~ Lisa S. Johnson

~.:.~

THANKS

We couldn't have done this review without the generosity of Lisa S. Johnson. Thank you for sending us your beautiful and amazing book. It is a treasure in our home. Thank you for the photos used in this review and the countless emails while working on the joint giveaway with '108 Rock Star Guitars' and 'Led Zeppelin~Ultimate Fan Page'. Was truly an exciting venture with you, your team and fans and look forward to the opportunity to work together in the future.


TO PURCHASE

You can purchase '108 Rock Star Guitars' on their official website : Buy 108RSG.

For the serious collector, there is also a Deluxe version available for purchase on the Official Website. This edition features a die-cut collector's box that includes a padded-leatherette hardcover book signed and numbered by the author, booklet, guitar pick and exclusively designed, hand-woven silk chiffon scarf.

Keep up to date on 108 Rock Star Guitars here:

Official 108RSG Facebook
Official 108RSG Instagram
Official 108RSG Pinterest
Official 108RSG Tumblr
Official 108RSG Twitter

Follow Us:
Official LedZepUFP Facebook
Official LedZepUFP Twitter
Official LedZepUFP Tumblr
Official LedZepUFP Flickr

Contact:
ledzepufp@gmail.com

Clementine: The Collection

Zepparella's Clementine drums her way to an incredible solo album.

Not allowing the drumset to keep her in the background, Clementine brings courage, skill and talent, both on the drums and vocals to the forefront with her new CD 'Clementine: The Collection'.

Her resume, is a showcase of her talent and experience. Playing key roles in previous tribute bands, as well as her own solo projects. Currently she has been keeping the beat and touring with the Led Zeppelin, all female tribute band she founded, Zepparella. I was honoured to have had the opportunity to interview her and her bandmates,  (Gretchen Menn, Noelle Doughty and Angeline Saris), earlier this year, which you can read here: Zepparella Interview.

Aside from touring and performing with Zepparella, she has written and recorded material for other projects, The House of More, Francis Bakin and Stars Turn Me On, to name a few. This year she has released a new album, simply titled 'Clementine: The Collection'. The disc contains tracks co-written with Jude Gold, Justin Caucutt and her Zepparella bandmate Gretchen Menn. Clementine was very generous and sent me a copy. I've spent a lot of time listening to it, and I couldn't wait to share my love for this album with all of you.

It's very rare to find a drummer who also takes over the lead vocals. Clementine's voice is soft yet strong. Powerful yet gentle. It's one of those albums that you put on and thoroughly enjoy. I found myself hitting the repeat button, that's just how good it really is.

Each track brings its own uniqueness, strength and melody and combined with its fellow songs, forms an amazing album that anyone can enjoy. So without further delay, join me for a track by track review of 'Clementine: The Collection'.

Package Design & Photography: Max Crace

Track Listing:

1. Marathon Runner

2. Wonderful U

3. Gateway

4. ShangriLa Blues

5. Slow Glow

6. The Champion

7. Totally Happening

8. The World and You

9. Stars Turn Me On

© Clementine 2014/C. Kingdom Publishing(ASCAP)
All songs recorded & mixed by Robert Preston, GetReel Productions, San Francisco

Tracks 1,3,5,6 From Conversation with Francis Bakin, Francis Bakin
Produced by Clementine & Robert Preston
© Clementine 2008/C.Kingdom Publishing
Tracks 4,7,8,9 From GoldRush, Stars Turn Me On
Produced by Justin Caucutt, Clementine & Robert Preston
© Caucutt/Clementine 2011/C. Kingdom Publishing
track 2 Released by Clementine - Remix by Tim Moss
© Clementine 2013/ C. Kingdom Publishing


Marathon Runner
Written by Clementine & Gretchen Menn. Clementine: Vocals/Drums; Gretchen Menn: Guitar; Robert Preston: Bass.
The first track on the album is a number that was originally written for 2009's 'Conversation with Francis Bakin'. Instantly you're hooked by the energetic guitar riff, by the amazingly talented Gretchen Menn. I found it really catchy and it was one that I had on repeat. The song is strong, including some crazy guitar sounds, courtesy of Menn, along with Clem's unique voice and Robert Preston's bass. Definitely a great choice in songs for kicking off the album. Your tour guide is Clementine, you're strapped in and just beginning your journey.

Wonderful U
Written by Clementine & Jude Gold. Clementine: Vocals/Drums; Jude Gold: Guitar; Robert Preston: Bass.
Another song that has an unique guitar sound, hypnotic riffs, paired with equally unique vocals. There's a lot going on in this song...if you listen closely, you hear little 'sounds' that add that one of a kind touch to the tune. This time we hear the talented Jude Gold on guitar. While listening, it's hard to believe there's only three people playing on this track. Drumming, guitar, and bass are all strong and perfectly meshed together.The album has another hit.

Gateway
Written by Clementine & Gretchen Menn. Clementine: Vocals/Drums; Gretchen Menn: Guitar; Robert Preston: Bass.
Third track in, and there's no stopping, no time to take a break. The album is taking you on an adventure, and you don't want it to end. Another song from the Francis Bakin project. This version includes Gretchen again on guitar. There's no fighting for the sole attention. There's a balance of all instruments, voice included. Lyrically, you can tell that Clem has a passion and talent when it comes to writing material. I found myself at times forgetting that she is a drummer and not strictly a singer with a band backing her up. Gretchen puts a little finishing touch on the end of the song.

ShangriLa Blues
Written by Clementine & Justin Caucutt. Clementine: Vocals/Drums; Justin Caucutt: Guitar; Robert Preston: Bass.
Probably the most hypnotic song on the album. But it's fun, upbeat, full of energy and really makes you want to get up and dance. Clem's voice is in top form and I'm crazy about the way she sings this song. She's powerful, yet controlled. Not overdoing it. Originally appearing on the Stars Turn Me On album 'Goldrush'. You can watch the video below. It could be, no scratch that, it should be on the radio right now.

Slow Glow
Written by Clementine & Gretchen Menn. Clementine: Vocals/Drums; Gretchen Menn: Guitar; Robert Preston: Bass.
By the time we get to this track, the ride starts to slow (no pun intended) down a bit. We see the Zepparella bandmates together again. Gretchen's guitar is a wonderful compliment to Clem's bluesy, sultry vocals. It's evident in this track, and other's, that they have a very strong bond. The song was originally written in 2008, but for this CD, it has a bit of an update according to Clem's website. I think it's a great song on the album, another favorite.

The Champion
Written by Clementine & Gretchen Menn. Clementine: Vocals/Drums; Gretchen Menn: Guitar; Robert Preston: Bass; Kenny Preston: Harmonica.
After you get a bit of a breather from 'Slow Glow', it's time to get back on the road with another, lyrically interesting song 'The Champion'. Along with Gretchen and Robert, Clem brings Kenny Preston in on harmonica to add an extra bonus to an already incredibly good song. It's different than the rest, stands on its own, yet at the same time works well with its neighbor songs.

Totally Happening
Written by Clementine & Justin Caucutt. Clementine: Vocals/Drums; Justin Caucutt: Guitar.
The CD version of this track, is stripped down. Just Clem on drums/vocals alongside Justin on guitar. I really enjoy Clementine's voice on this track. It's sultry, soulful and a bit on the tender side. She has something special in her voice; a bit of rock, a bit of soul, combined together it's just powerful. It's slightly different than the rocked up version that was released prior, as you can tell from the video below by Stars Turn Me On. I enjoy both versions. Whether you prefer it acoustic or electric, either way it's a great song.

The World and You
Written by Clementine & Justin Caucutt. Clementine: Vocals/Drums; Justin Caucutt: Guitar; Judah Collins: Bass.
A slower song, but just as strong as its predecessors. The vocals are a bit softer, relaxing in a way. It's a calming song, but still has a bit of rock to it. But that's far from a bad thing. As the song says, wanting to write a love song, simple words, simple tune. The song is that, simple, but captivating, and beautifully written and performed. She doesn't need many bells and whistles to make this song perfect...less is more in this case, and nothing distracts from her voice and the music.

Stars Turn Me On
Written by Clementine & Justin Caucutt. Clementine: Vocals/Drums; Justin Caucutt: Guitar; Judah Collins: Lap Steel.
Where the album starts off with hard hitting rock and roll and catchy guitar riffs, the album finishes with what has become one of my favorites. Altered slightly than the video version (see below). It features Clem's soulful voice, powerful yet controlled drumming and Justin's guitar. Judah Collins contributes lap steel on the track. It's a pretty song, a perfect song to finish off the album. It ends the album on a definite high note.

"The city we're in is another skin, wrapping the stars we are. Speed through the sky when done comet. Check me off."

The Cd may be over, your adventure comes to an end....or does it? There's always repeat right?!

Thanks to Clem for autographing my copy.

'Clementine: The Collection' is a fascinating listen. It's the perfect blend of different sounds but with only using a few instruments. I was really impressed with the ease that Clem sings. She's not straining to get the words out, to get the point of the song to the listener. It comes naturally to her, and it shows on the tracks. There's not a bad song on the whole album. They can be listened to back to back, or in random order, or just on their own. Each track stands their ground, proudly.

Lyrically, Clementine has written some great songs. Along with her co-writers, Gretchen Menn, Jude Gold and Justin Caucutt. The songs have meaning, depth and purpose. She paints images with her words and sings them, as if to tell a story to the listener.

I have to thank Clementine for providing me with the CD. It was very enjoyable to listen to and an honor to review it. I look forward to the next body of work that she releases.

If you want a great album, filled with great tunes..be sure to pick up your very own copy of 'Clementine: The Collection' today.

To Purchase:
Download Clementine's CD

For updates from Clementine:
Official Clementine Facebook Page
Clementine's Official Website

For updates, music and more from Stars Turn Me On:
Official Stars Turn Me On Website
Justin Caucutt

To Purchase:
'Goldrush' - Stars Turn Me On
'Goldrush' on iTunes




For more information about Zepparella:
Official Zepparella Website
Official Zepparella Twitter
Official Zepparella Facebook Page



Check out Led Zeppelin~Ultimate Fan Page:
Official LedZepUFP Facebook Page
Official LedZepUFP Twitter
Official LedZepUFP Tumblr

Contact:
Ledzepufp@gmail.com

Led Blimpie CD Review

Last August, I had the great honor of interviewing a group of guys who truly were taking a bite out of the Led Zeppelin tribute band competition. Their love for the music, and sense of humor, made them put their own special twist on the logos, album covers and symbols that Zeppelin created, which set them apart from any other band. You can read that interview here: Led Blimpie-2013

Calling New York home, and naming their band after a favorite eatery...Led Blimpie has just released their new CD: Led Blimpie: a tribute to Led Zeppelin from Hell's Kitchen. 

Thor Fields, Blimpie's guitarist generously forwarded me a copy of the CD, along with liner notes. I had a great time listening to it, became a regular on my phone and I really enjoyed the appearance of the packaging. I was excited to have been given the opportunity to review their album.

Cover design: The Rev.William Marshall

First thing that I have to mention is the packaging. The sleek design is anything but boring and dull. Both the disc and the digipack are beautifully adorned with the Led Blimpie artwork. Similar to Zep's original artwork, but with a comedic twist. Bright colors, the band member's own take on the famous Led Zep IV symbols, a slightly altered Icarus figure, it really is something to look at. The cover was designed by The Rev. William Marshall.

As you open up the package, you see the Led Zeppelin album covers, but with a Led Blimpie twist. It was a really nice touch, to have the albums represented in this production. I'd like to mention Line Art by Rich Miller, and the excellent layout courtesy of Odin Meadows. Truly a fantastic job.

Courtesy: Led Blimpie

Photo by: Shade Rupe

One more flip, and the iconic buildings in New York that were used on the original 'Physical Graffiti' album sets the backdrop for Thor and a blimpie. Zeppelin fans are familiar with the two buildings that are located at 96 and 98 St. Mark's Place in New York City. Not only do they adorn Zeppelin's album, but they are also featured in The Rolling Stones video for 'Waiting on a Friend'.

Courtesy: Led Blimpie

They even made sure to give the disc itself a face-lift à la Led Zeppelin III. Gone are the random images connected with aviation and flight, and replaced with ingredients for the beloved sandwich.

The back cover, resembles the back of Led Zeppelin I, but with the members each holding a 'blimpie'. It also includes the track listing, a great variety, some surprises, more on that later.

Photo by: Bjorn Bolinder

I enjoyed the images chosen for this cd. It was a great way for a tribute band to pay tribute to their musical heroes.

After appreciating what went into the packaging, we move on to the music contained on the disc itself.

What's interesting to note, is that they simply did not go in a studio and record Zeppelin tracks. Instead, they reproduced the way Jimmy worked with analog, but in a modern day way. The result is an amazing album of familiar and beloved Led Zeppelin tracks, alongside the heart and soul of four guys who love the music, playing it the best they can.

Recorded at 30 Below,NYC & Sierra Sound NYC
Bron-Yr-Aur recorded at Stimulent Sound by Mike Degen
Additional Engineering - 30 Below Brent McLachlan
Special thanks to: David Popeck
Engineered and Mixed by Freddie Katz
Mastered by Mark Dann
Produced by Thor Fields and Freddie Katz

What follows is this listener's review of the album, track by track. I had a great time listening to it a few times to really get a feel for the music. So without further ado...I give to you Led Zeppelin~Ultimate Fan Page's review of 'Led Blimpie - A Tribute to Led Zeppelin from Hell's Kitchen.'

Track by Track:

Black Dog
Kicking off the album, reminiscent of Led Zeppelin IV.  Not only a good song choice to start off an album musically, but vocally as well. Jon's vocals come on strong and keep you there, right until the end. The four instruments (yes vocals included), combine to produce a recreation of a Zeppelin classic. As Thor described in the liner notes, the way the guitars were recorded is quite interesting. The left guitar live with the band, right and middle guitar straight into the mic channel of the mixing board. All which Thor describes as "Very unconventional - Very Jimmy Page." The result is a great sounding opening track for the album.

Battle Of Evermore
Not one of the most popular songs in any Led Zeppelin tribute band's setlist. But fortunately for the listener, Led Blimpie pulls it off. It's an amazing version of the only Zeppelin song that had a guest singer. While Sandy Denny's haunting vocal can't be duplicated, guest vocalist Julie Reyburn takes the song to a fresh, new level. Julie and Jon's voices compliment each other beautifully. They sound great together, and they really did put out a fantastic version of this song. Personally, one of my favorites on the album. Definitely was on repeat a few times. I learned that while recording her vocals, Julie was in fact eight months pregnant. Jon was also new to the band at this time, had not played live with the other guys, although  you would never know it.

Heartbreaker
After the soothing harmonies of 'Battle of Evermore', the band comes back, not with a shove..but with a full blown push. This was always one Zep song, that I couldn't wait for the guitar solo. At first when I read the track listing, I was thinking to myself, ok, will they be able to pull off that epic solo. Well, there is no disappointment here. Drums, bass, vocals, guitar, all carry the song to that middle point. Once there, Thor's playing knocks it out of the park.There's no question that he studied Jimmy Page's recordings and playing techniques. Soon after, drums, bass and vocals return and finish off the song on a strong note.

Out On The Tiles
Another pleasant surprise to see this song make it on the album. It really sounds like the guys are having a lot of fun playing this track. It strays a bit from the 'original' arrangement, but you know what, it's ok..it works perfectly. It demonstrates how they add their own style and techniques. Instead of just copying the song, they make it their own. One thing I really liked, was the addition of the solo towards the end of the song. According to the liner notes, it was Joe's idea to keep the song going towards the end. A great suggestion and it added that little extra punch at the end. Another one of my favorites.

Bron-Yr-Aur
This song is always a fan favorite. So many love to watch Jimmy play this number and be transported to another place. While listening to this CD, I felt the same. The song itself is a beautiful composition. When you hear Thor's version, you really can hear through the playing, how much he enjoys Zeppelin's music, playing their music and the admiration he has for Page. It is placed perfectly on the album. You can take a breather, enjoy an amazing acoustic number, saving your energy for what is still yet to come. Thor described how the track employed reverse-reverb recording. Much like the way Jimmy did with the Yardbirds. A nice addition to the album, surrounded by some heavier songs. Great job Thor!

Communication Breakdown
At first listen, it reminded me of some of the rock bands back in the '90s. Jon has that voice that could stand up against the likes of Sebastian Bach, Axl Rose and Vince Neil. But, this is no 'hair band' version of a Zep classic. Led Blimpie delivers a solid, rocking version, complete with a slightly modified ending. Speaking of which, that has impressed me, on a few songs, how they didn't just record "exact" versions. They decided to alter the songs slightly and add their own endings.They made these songs their own and did a great job.
You can watch the official video for this track:

  

The Rover
I've heard some say this is either a song they like, or don't like. I've always liked it, so when I first saw it on the track listing, I was excited to hear Led Blimpie's take on this 'Physical Graffiti' gem. Their version has a slightly increased tempo compared to Zep's version. But it works, and very well at that. Jon's vocals are strong while he enunciates the lyrics. It's hard to resist singing along "..if we can just join hands". Another home-run in this listener's opinion. The whole band is tight and that comes through not only on this song, but the whole album.

Going To California
The song finds its home after the heavy hitting 'Rover', 'Going to California' takes the listener to a peaceful new place. The acoustics are beautifully arranged and executed. I appreciated that Jon didn't set out to sing or sound like Robert Plant. Instead, he delivers a wonderful, controlled vocal throughout the song. When he has to, he raises the bar a bit, but without straining. It's mellow, relaxing and a great representation of a Zeppelin classic.

When The Levee Breaks
It's hard not to think of John Bonham when  you hear 'Levee'. The thundering drums that begin, shortly followed by the harmonica. Well folks, let me say, Matt  kicks off the song in true Bonham fashion. Followed closely behind by Jon's blistering, gritty sounding harmonica. The tune begins to mesh and come together with the addition of the guitar and bass. The liner notes describe how Thor used the doubleneck to record the main guitar track. Impressively, Jon learned the harmonica just for this song, and Levee marks the first time his playing was recorded. The decision to use this as a closing track on the album was a good one. I also have to mention that my teenage son said this was his favorite on the album. Where 'Black Dog' started us on the journey, 'When The Levee Breaks' takes us back home.

Photo courtesy: Led Blimpie

Where most tribute bands get out on stage and perform all the Zeppelin classics, Led Blimpie takes it one step further, to actually record a handful of them and release them to their fans. I made sure to give it some quality listening time before writing this review. Many times on repeat and I was hooked. The quality of the recording itself, produced perfectly makes it even more enjoyable to listen to. It truly is an album that will grow on you after more than one listen. A great job by four guys who love the music of Led Zeppelin.

Special thanks to Thor Fields for providing the CD, pictures and video.

Thanks to Led Blimpie for an amazing CD.


To purchase the CD:
Cdbaby.com/cd/ledblimpie

You can learn more about Led Blimpie on:
Official Led Blimpie Website
Official Led Blimpie Facebook
Official Led Blimpie Twitter
Download Led Blimpie from iTunes
Official Led Blimpie YouTube Channel





Follow us:
Official LedZepUFP Facebook Page
Official LedZepUFP Twitter
Official LedZepUFP Tumblr

Contact:
Ledzepufp@gmail.com

Robert Miniaci

Coda's frontman speaks about performing, Led Zeppelin and Boomer. 


I was first introduced to Robert Miniaci during the summer of 2013, when I approached his Led Zeppelin tribute band CODA-The Raw Led Zeppelin Experience for an interview request for our fan page. His friendly disposition and personality made it easy to work with and along with the other members of the band, who were all equally wonderful, we successfully completed the interview and it was mutually shared on our pages.You can read it here: Coda Interview-2013.

Since then, I've been fortunate to attend various CODA shows around Southern Ontario. You can read the first show review here: Coda Review 2013. Each time, I was very impressed with the degree of professionalism these men have. They all know the material inside and out. They have fun and enjoy themselves on stage. They may not visually be your typical Led Zeppelin tribute band, but, what they lack in costumes, they make up for in music, stage presence and down to earth attitudes. They get on the stage and give the audience what they went there for. Straight up rock and roll, the Led Zeppelin catalogue played with passion, heart and soul. Friendships developed out of that initial interview and it's been my pleasure and honour ever since to support these guys whenever I can. 

When I heard that Robert was given the exciting opportunity to be part of a multimedia Broadway type production, I was happy for him and knew I wanted to help promote the show. Thanks to him, I was put in touch with the show's producer, and was granted an interview. You can read that exciting interview with Brian Walker, producer of 'Boomer' here: Boomer Interview 2014.

Photo: Robert Miniaci

On March 1, 2014, the 'Boomer' show hit the Newmarket Theatre, in Newmarket Ontario. I attended the show with a friend and my teenage son. It was absolutely incredible, and with the aid of visuals, the show did what it promised to do: "overstimulate the heart and mind". Stay tuned for a review of 'Boomer'.

I reached out to Robert and asked if he would be interested in doing an interview with us, regarding his performance in 'Boomer'. He generously agreed. With that said, the following is the outcome of that collaboration. 

LZUFP~How and when did you become aware of the 'Boomer' opportunity? What attracted you to the production? Was the song already chosen?

Robert: I first became aware of the 'Boomer' opportunity when I received an email through my CODA website.  It was an email asking if I'd like to audition for the role of the Led Zeppelin singer and in particular the song 'Black Dog'.  I was excited because this was another opportunity for me to perform in a professional Theatre. So, first off, I sent them my performance I did with 'Classic Albums Live'. They were very happy with what they heard. In the end, I was just excited to be part of a musical that was being geared towards the Theatre. 

LZUFP~You've taken the stage with CODA many times, but take us to the moment when you're just about to take to the stage during 'Boomer'? Anything particular you think about as you approach the microphone?

Coda Photo: LZ~UFP

Robert: It's funny, because with CODA we've must have done a couple of hundred shows. I always feel a bit anxious before a show, but with this I had a particular role to fill at a specific moment in the show.  My part wasn't to take place until after the intermission. I guess with all the waiting, I was feeling more anxious than usual. Very funny indeed. As usual, once I begin to take my place at the microphone, any thoughts or feelings of anxiousness I may have had prior to that point always seem to disappear. There's no more thinking, it's just, "here we go!"

LZUFP~Sometimes artists are their own worst critic.  Having a couple days to reflect back on your performance, watching video of it, how do you feel it went? Would you change anything, the approach to the stage differently?

Robert: Yes, I feel I am my own worst critic. Sometimes, that happens when I over analyze, so I try to avoid that now. Watching the playback now, there may be some slight alterations, but overall I'm quite happy with my performance. I'll turn to my wife and ask her what she thinks. If she says "It's just the way you like it...", then I know it's alright. HaHa!
LZUFP~How do you feel the addition of Led Zeppelin, with their place in history, fit within the production of 'Boomer'?

Robert:  I think the Zeppelin portion of the show fit in perfectly.  I mean, Zeppelin, like several other bands from those years played a big role musically and socially. Zeppelin weren't the most musically political band, but that's not what they were all about anyways. Though they did have an impact on people letting loose, celebrating, and letting go of inhibitions for a couple of hours.  Remember what was inscribed on the run off grooves of Led Zeppelin's third album: "Do what thou wilt, shall be the whole of the law."

Boomer Photo: LZ~UFP

LZUFP~Did you need to prepare your voice any differently with 'Boomer' compared to a CODA show, or even with a Classic Albums Live show? Also, do you find with the bigger venues, you need to project your voice or sing differently? How do you handle those situations?

Robert:  Well, with the 'Boomer' show, I was focused on really having my voice ready. I mean, here I am going out and singing 'Black Dog', so I wanted to make certain my voice was ready for that. Usually with CODA, 'Black Dog' isn't until the 15th song, so my voice is really worked in and ready to rock.  With the theatre shows, it's actually easier, in regards to sound. They have professional equipment, and you are working with Sound techs and stage hands, so you have a lot of technical help. With the mixes they have there, the sound quality really booms out and it's so clear!

LZUFP~Considering the length of time you've been performing with the guys in CODA (Rick Mercer, Paul Mathur, and Kelly Mauricette), you become comfortable with them, know the way they play etc. What was it like performing 'Black Dog' with a bunch of different musicians? As a singer, do you find it easy to adapt and perform with different guys on stage with you?

Coda Photo: LZ~UFP

Robert:  Yes it's true, after all these years of performing with CODA, we are very comfortable with each other.  Luckily, with the prior rehearsal for 'Boomer' I got to meet the guys in the band. They turned out to be really nice guys, and very approachable and easy to talk to. So, they made it easy for me. Being great musicians, we all knew our parts really well, so in the end it turned out to be a pleasure working and making music with them. For me, when the other musicians are nice fellows and easy to get along with, then that's half the battle.

Paul Mathur/Robert Miniaci at Boomer

LZUFP~In addition to the above question, what was it like having a bandmate in the audience? (Paul Mathur was in attendance with us at the show) Does that make you more nervous to have a band-mate, friends and family in the audience?

Robert:  Having a bandmate in the audience along with family and friends makes me feel very proud. If this were another time, I probably would be a bit nervous having them there. Not these days though. I'm very fortunate to have these opportunities and like I said, I'm proud to have family, friends and bandmates in the audience.

LZUFP~The last number of the night was 'Imagine' with all the cast and crew coming out on stage to finish the song. When the song ended and the show was over, what were you feeling? Were you relieved, would you have liked to have stayed on the stage and performed more? That bittersweet feeling when you work really hard, put on a show and it's done...did that cross your mind?

Photo: Robert Miniaci

Robert:  'Imagine', yes it was the last number of the evening. I was really happy we all came out and sang that one together. I thought that was a great idea, and it was good to encourage the audience to stand up and sing with us. I love audience participation. When the show ended, I was very proud of all the cast and crew, because they really brought their 'A' game to the show. As for wanting to do more after the show, I actually wanted to keep singing right after 'Black Dog'. But I realize I had a specific role to fill in the show, and I did it, so I was satisfied with that. Yes, it was a lot of work, and the show is done now, but maybe we may get to do it again, stay tuned folks!

LZUFP~Brian Walker (producer of the show/guitarist in band), told us in his interview that the production "was designed to over stimulate the viewer".  Despite being a performer, were you at any time fortunate to see any of the footage before hand in rehearsals?

Robert:  Yeah, the show was designed to warm the heart and stimulate the mind. I only saw all the footage at the show as it played out. So, I saw it as the audience was seeing it. Which was kind of cool, because I was in suspense wanting to see it. 

LZUFP~The singers selected for the show were all fantastic in their own roles. Were you watching during their performances from the side of the stage? What did you think of your fellow cast members?

Lee Keeley, Bob Witherspoon, Michele Kreposter, Kevin Bath
Boomer Photo: LZ~UFP

Robert:  Yes, I got to rehearse with two of the other singers, which was really cool. Also, earlier in the day prior to that evening's show, we did a run through. So I went out and sat in a seat, and got to hear all this amazing music happening. Of course, I was also watching and listening in the wings. I feel my fellow cast members are great people, and they are a tremendous talent. Incredible to listen to such voices. 

LZUFP~If the opportunity presented itself to you, would you want to do more 'Boomer' shows? Where would you like to see the production take itself? Example, bigger venues, more cities?

Robert:  Absolutely yes! If the opportunity presents itself, definitely I'd want to be a part of the show. Well, this may just happen. There may be more 'Boomer' shows taking place in other cities, maybe downtown Toronto. You will all have to wait and see!

Boomer Photo: LZ~UFP

.:. 

Whether he's performing on a large theatre stage, or a tiny club stage with CODA, Robert Miniaci puts 110% into every performance. He works hard and enjoys what he does, and that comes across in the shows. I have witnessed his professionalism, when a rare technical mishap occurred during a show. Instead of stopping the band and restarting the song, he pushed forward, continued on with a smile and gave it all he had. He knows what it takes to be a great frontman, minus the ego that sometimes goes along with that role. 

While waiting for the next theatrical opportunity to come along, Robert continues to tour and perform with his bandmates in CODA. If you are lucky to have CODA performing in your city, be sure to check them out. Witness the Raw Led Zeppelin Experience for yourself - you won't be disappointed. 

I wish nothing but the greatest success for Robert and all the guys in CODA.

Special thanks to Mr. Miniaci for allowing us to be his guests at 'Boomer' and for being so accommodating and generous with his time participating in this interview. 


For tour dates and information on CODA:
Official Coda Website
Official Facebook Page

Boomer:
Official Facebook Page


Led Zeppelin~Ultimate Fan Page
Official Facebook Page
Official Twitter
Official Flickr
Official Tumblr
Official YouTube

Boomer

A musical extravaganza that will stimulate your heart and mind.

Depending on where you were born, and who's definition you tend to believe, you could be a Baby Boomer. The term, that first appeared in print in 1970, was penned to refer to an increase in birth rates. While there seems to be some discrepancies between countries and history buffs, generally if you were born between the years of 1946 and 1964, then congratulations: you are a Baby Boomer. 

Collage by LZUFP

Boomers were individuals who experienced first hand some of the most memorable events in history. The first group of Boomers born between 1946-1955, got to experience the peace and love of Woodstock, first man on the moon, many rights movements. Sadly they also witnessed tragedies like the Kennedy brothers assassinations, Martin Luther King assassination, risk of being drafted to the Vietnam war, and protests and riots. They are said to have been more free spirited, experimental, individual and aware of social causes. 

The second group of Boomers born between 1956-1964, appear to have experienced more negative than positive moments in history. Cold War, Vietnam War Watergate, Nixon's resignation, inflation, gasoline shortages and Carter's imposition of registration for the draft. Sadly, these Boomers, were less free spirited, more distrust for their government and had more cynicism. 

Despite the politics behind the label, the Boomer generation were witnesses to some of the most memorable entertainment of the time. They grew up to 'The Brady Bunch', 'Gilligan's Island', 'Happy Days', 'The Twilight Zone' and the highlight for any musician 'The Ed Sullivan Show'.  Many Boomers, with their tiny transistor radios, would hear such rock and roll acts from America and across the vast ocean. From The Beatles, The Rolling Stones to Motown, and everything in between, teens would grow up to some of the best music of that time, in fact, of all time.

What do you get when you combine great music, talented musicians and people with incredible visions?  An amazing live musical show, paired with visually appealing props, complimented by the music of the generation, all presented by Syltom Productions - 'Boomer'. Coming to The Newmarket Theatre, in Newmarket, Ontario on March 8, 2014.

Courtesy of Boomershow.ca 

I was excited to hear that a friend of mine, Robert Miniaci, singer for Canada's Coda~The Raw Led Zeppelin Experience, was going to be appearing in 'Boomer' representing the Led Zeppelin aspect of the show. Thanks to Robert, he put me in contact with the producer of the show, Mr. Brian Walker, who agreed to do an interview for our page. He was very generous to take time from his schedule to answer some questions regarding the production. The following is the result of that collaboration. 

LZUFP~Can you provide a little history of how 'Boomer' came to be? Who's vision was it and who are some of the people involved in making this production come to stage?

BW: Actually, 'Boomer' started out as different coloured sticky notes on my bedroom wall. Initially, I was trying to map out the most significant events of the 1960s and '70s and understand how they converged to produce such dramatic social change. What evolved from that exercise became the underlying theme of the show, the conflict between the baby boomers and their parents. I wove the script around it and then hired Paul DeCourcy and Vivian Hisey, two  outstanding voice-over artists, to record it. All that was left then was to pair the audio commentary with complimentary documentary video footage.

LZUFP~Once you had the vision and script, how did the music selection process begin? Were the bands and songs selected your personal favourites, and how do you feel that each band and their music will compliment the show?

BW: That's a great question. Actually each song performed during the show represents a particular period or genre of music. So for example, 'I Can't Get No Satisfaction' by the Rolling Stones represents the British Invasion. 'Black Dog' by Led Zeppelin is arena rock, and 'Ziggy Stardust' represents glam. For those who pick up on it, it is also interesting to note how many and what kind of songs combine acoustic and electric guitars and what that says about the evolution of popular music during the 1960s. This theme is also explored in the show.

LZUFP~Can you speak a bit about the cast and musicians that were selected, their roles and contributions to the production? Were you involved in the audition and selection phase?

BW:  Casting was extremely important. Many people who come to 'Boomer' lived during the 1960s and '70s and are familiar with the history and the music of that period. So it is important that the show not only recreate the events and music but also evoke the same emotions. One thing we noticed immediately was that no singer, no matter how gifted, could capture the essence of all the songs included in the show.  Consequently, 'Boomer' uses six different singers to cover ten songs, something you just won't see anywhere else - certainly not for less than the price of a movie ticket. It was the only way that we could bring these songs back to life, to produce the same effect that they had when originally performed. It's actually one of the things I am most proud of. You really have to hear it to believe it. I know the singers are not the original artists and yet I still find myself looking over my shoulder every so often just to make sure.

LZUFP~The show includes many dimensions: live action, documentary footage, music. What was the most challenging part of combing all these elements into one production?

BW:  It's an ongoing challenge. Our drummer, Mark Johnson, who like most of the cast is a multi-talented artist, said from the onset that we need to be careful to evenly develop each aspect of the show; the video production, music and live action. I don't believe we have reached that balance yet. I think it is a work in progress, but we are aware of it so I'm confident we'll get there eventually.

LZUFP~The following description is taken from the website, 'Boomershow.ca'    'Boomer is a large scale, multimedia, Broadway style extravaganza'. Can you provide any little hints on what the audience can expect at the show?

BW:  Boomer blends live music, actors and documentary footage to tell the story of the Baby Boomer generation. The show is purposely designed to over-stimulate the viewer. You could see it ten times and still not take everything in. It contains a lot of symbolism.

The story is told principally on the main screen. Three supporting screens are used to provide context. The songs performed during the show trace both the effect that the music had on the times and that the times had on the music. The live action parts are designed to bring home to the patrons what it really felt like to be there.

LZUFP~Although the baby boomer generation may be able to relate more to the production, are you hoping and/or expecting a wide range of ages in attendance? Do you think this would be a great family outing for different generations to experience together?

BW:  Definitely. Boomer may be a period piece but it holds lessons for all of us. Most of all, I think that it is a positive story told in a very positive way. Of course the modern world has problems. They had problems in the 1960s and '70s too. But we faced those problems together and overcame them. The Cold War ended peacefully, we eradicated polio and small pox. We went to the moon and back. I think Kennedy said it best when he said: 

"...Let us examine our attitude toward peace itself. Too many of us think it is impossible. Too many think it unreal. But that is a dangerous, defeatist belief. It leads to the conclusion that war is inevitable-that mankind is doomed-that we are gripped by forces we cannot control. We need not accept that view. Our problems are manmade--therefore, they can be solved by man. And man can be as big as he wants. No problem of human destiny is beyond human beings. Man's reason and spirit have often solved the seemingly unsolvable -- and we believe they can do it again."                                                                                         JFK-Commencement Address at American University-June 10, 1963

Boomer creatively reaffirms this basic truth and that makes it pertinent for every generation.

Whether you're a baby boomer or not, this production will surely entertain your mind, heart and soul. Allow to be taken back to your youth, relive old memories, all while creating new ones that you might take with you while walking out of the theatre. 

This would be a great opportunity to take your children and/or grandchildren to the show and share in the history of so many ground breaking and news making events. Personally, being a member of Generation X, I am still excited about seeing this show. Always a fan of the music from that time period, as well as being fascinated by the events of decades that I was never able to experience, I look forward to being taken back in time and living it through the eyes of others who have worked hard to put ideas into production. I intend on taking my teenage son for an evening of history, all set to some great music. A review will follow after the show.

Show Details:

Syltom Productions Presents: 'BOOMER'

Saturday, March 8, 2014

Newmarket Theatre

505 Pickering Crescent

Newmarket, ON, Canada

Newmarket Theatre Website

All tickets: $12.00

Extra special thanks to Mr. Walker for the informative interview and an insight into a show obviously very special to his heart.

For more information about 'Boomer' and how to purchase tickets see the links below.

Official Boomer Website

Purchase tickets online to Boomer

Follow Boomer on Twitter

Official Boomer Facebook Page

Many thanks to Robert Miniaci. Follow Coda - The Raw Led Zeppelin Experience on:
Official Coda Website
Official Coda Twitter
Official Coda Facebook Page

Follow Led Zeppelin~Ultimate Fan Page on:
Official LedZepUFP Facebook Page
Official LedZepUFP Twitter
Official LedZepUFP Tumblr